I spent the bulk of 2014 with a fantastic group of improvisers in the Bad Dog Ensemble Studio Series. We had such a great time together that we’re putting on a run of shows starting this Sunday under the name Meet Cute.
The format is one of our own creation that we’re calling Out of Line.
So, if you’re in the Toronto area and looking for a fun way to spend your Sunday evenings, grab tickets through the Bad Dog website. The theatre holds about fifty so act now!
We will even have some great guests at a few of the shows.
It’s official! My job as father is complete.
Over the last six weeks, I have given my daughters the knowledge they need to survive in this world. Namely, they have imbibed the full six episodes of the Star Wars movies.
My three year-old thinks every garbage is R2. My five year-old can pick out Darth Sidious from a line-up. They may even understand Gungan customs, Republic trade politics, and lightsaber lineage better than most. We’ve done Lego Sith Troopers, viewed the Episode 7 trailer, and caught a couple of episodes of Clone Wars and Rebels.
So, basically, I’m done, right? What more could a girl need to know?
2014 was unequivocally a better year than 2013. I wouldn’t have guessed that any year that began with a 12:01 rejection for a short-story would go on to be a good writing year, but it was definitely my best yet.
Nature published two of of my flash pieces and Alex Shvarstman worked with me to hone a third piece for his latest Unidentified Funny Objects volume.
If asked, though, I probably would have guessed that this would have been a year of continuing more of the television and film writing that I spent most of 2013 studying. Instead I mostly bailed on my pilot after some well-considered Blacklist criticism pointed out a number of areas for significant re-writes that I haven’t been able to solve.
I am also trying to come to terms with the limits of time and energy and creative output. In late 2013 I was accepted to Toronto’s Bad Dog Theatre’s inaugural Ensemble Studio series, a year-long program of long-form improv that has given me a stellar cohort of improvisers to possibly call troupe-mates in some possible future. In addition, I’ve been competing regularly in the Oakville Improv weekly Theatresports bubble tournament, playing monthly shows at Kerr Street’s Moonshine Cafe, and even working the odd workshop or community centre performance.
If time and energy and creativity are finite quantities (and I’m hoping to prove this wrong) then I’ll have to abuse the laws of conservation of such energy to make even greater things happen in the new year. Priorities, damn it!
I’m grateful for a good year, and like the nihilistic, ungrateful, misanthropic pessimist that I am–here’s hoping that 2015 is even better!
My new story A brief history of human intelligence is up at Futures in Nature Physics!
There is also a little blurb up at Future Conditional about the process of writing it. Check it out!
Unidentified Funny Objects 3 launched early–it’s available in e-formats and paperback. It’s now a major fetish object on my bookshelf, and I am very pleased with the reception to date. Check it out!
Also, I am very pleased to report a new sale to Nature: Futures. A Brief History of Human Intelligence will appear in Nature Physics. I’m making my way through their recently released second collection and there’s some great stuff, also worth checking out!
I just read this paragraph on CNN regarding the despicable beheading of James Foley:
As details of the cold-blooded execution of Foley emerged, British Prime Minister David Cameron interrupted his summer vacation to head a meeting of the government’s emergency committee, known as COBRA, in London.
Cobra? Are you kidding me? Is David Cameron the COBRA Commander?
The Minnesota Multiphasic Personality Inventory (MMPI) has been around for seventy years. It is one of the best studied psychometric tests and is still frequently used in forensic settings. The intriguing thing about the MMPI is that it is atheoretical, it is simply an extended battery of questions, the answers to which provide windows into one’s personality.
What does this mean? We live in an age of self-report questionnaires and checklists. They generally have questions that are obvious in what they’re looking for: Are you sad? Do you cry? Do you feel blue? Aha, you must be depressed.
The MMPI might find out the same information differently: Do you play with dolls? Do you ever break things? The question asked and the answer have no logical relationship to the thing being measured, they have simply shown correlation over vast numbers of people taking the test.
In today’s New York Times, there is a fascinating article that brings to mind a similar exercise only with Google searches. This would seem to me to be the next step in Big Data/government oversight/technoparanoia. In Captain America 2 or Freakonomics, there are logic-based algorithms described to find “bad” people. Realistically, it won’t be too long before arrest records and google searches start to predict things about ourselves we won’t logically be able to guess.
It won’t be “flying lessons” “bomb-making” “Allah” that will trigger some terrorism alert, it will be something as banal as “Adidas shoes” “pineapples” and “Sea Monkeys.” Self-censorship will be useless, which the MMPI solves for as well. Search terms will be transparent to so-called “fake-bad” and “fake-good” subscales–the falsely-rebellious and the guiltily-hidden.
The problem with all of this is that it will be utterly without narrative. There will be no explanation, just a prediction that will be inexplicable other than “the computer said so.” Welcome to Minority Report.